News and Press

In the Press Salihah Zayn In the Press Salihah Zayn

Review: ‘The Color Purple’ soars with heavenly voices, the spirit of freedom

Full of showstopping musical numbers, the Goodman Theatre’s top-tier theatrical production of “The Color Purple” will leave audiences singing its praises. If you’ve somehow missed reading Alice Walker’s masterpiece or seeing either of the two film adaptations, then indulge in the stage musical version of this American literary classic.

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In the Press Salihah Zayn In the Press Salihah Zayn

Dance Kaleidoscope 25/26 Season to Feature New And Legendary Voices

The season opens with Cloudline, a luminous and heartfelt piece by Robyn M. Williams. Williams, whose work has been presented at prestigious venues such as the Kennedy Center, Harris Theater for Music and Dance, Jacob's Pillow, American Dance Festival, The Joyce Theater, and MCA Chicago, brings a deeply personal yet universally resonant voice to the stage

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In the Press Salihah Zayn In the Press Salihah Zayn

Red Clay Dance Company’s 16 centers perseverance and legacy in Vershawn Sanders-Ward Revival and Bebe Miller Premiere

The Dance Center of Columbia College Chicago announces 16 by Red Clay Dance Company for three performances only, April 17-19, 2025, featuring Founding Artistic Director and CEO Vershawn Sanders-Ward (‘02)’s new staging of Written on the Flesh and a premiere by Bebe Miller—commissioned and set on Red Clay Dance Company dancers including Columbia alumni Amaya Arroyo (‘23) and Celeste Brace (‘23).

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In the Press Susie Lee In the Press Susie Lee

Jazz bassist Matt Ulery returns to his roots with ‘Mother Harp’ and a release concert at Hungry Brain

A residency this month at Hungry Brain gives Ulery a platform for his uncorkable creativity. Ulery brings four different groups to the West Lakeview venue, including his Pollinator band and sprawling Nonet. He wraps the residency with his new Mother Harp band, a thrashing union of punk rock, jazz and folk. The group releases a self-titled album the same day on Ulery’s Woolgathering Records label.

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In the Press Susie Lee In the Press Susie Lee

Vershawn Sanders-Ward selected as a 2025 Woman of Excellence Honoree by the Chicago Defender

Vershawn Sanders-Ward is a visionary director, choreographer, educator and ARTIVIST who is transforming the landscape of contemporary dance through her art and activism. As the Founding Artistic Director and CEO of Red Clay Dance Company, she blends African diasporic dance forms with modern techniques, creating performances that inspire social change and provoke thought.

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In the Press Salihah Zayn In the Press Salihah Zayn

Billy Corgan, Lyric Opera team up for 30th anniversary of Smashing Pumpkins' most successful album

The world premiere of "A Night of Mellon Collie and Infinite Sadness" will be on stage at Lyric Opera House in late November.

Also, Chicago's first-ever poet laureate, avery r. young, will present his second collaboration with the Lyric in April 2026. It’s called "safronia," in which he writes and stars in. It's billed as a personal story about the Great Migration.

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In the Press Susie Lee In the Press Susie Lee

Robyn Mineko Williams On Slowing Down, Balancing Family and Career, and Her New Whim W’Him Commission

When Robyn Mineko Williams was named one of Dance Magazine’s “25 to Watch” 10 years ago, she was on the precipice of a choreographic career after 12 years onstage with Hubbard Street Dance Chicago. She created at a feverish pace through 2019, but since then, Williams has slowed down, taking on fewer commissions and working on protracted, site-specific, independent projects further developing her signature ethereal style.

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In the Press Susie Lee In the Press Susie Lee

Chicagoan of the Year in Dance: Vershawn Sanders-Ward is still here, doing the thing

When it came time to select a college, Columbia College Chicago had some of the things Vershawn Sanders-Ward was looking for. The others, she had to find on her own. 

“African dance was in the basement; it was one class,” she said. “When I was at a point where I had the confidence to say, ‘I really need this,’ I had to figure out a way to make it work.”

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